Monthly Archives: October 2011

A SUITE FOR THE BIRD

Phillip Adams speaks with Urszula Dawkins about BalletLab’s Aviary With its starting point of Olivier Messiaen’s cascading piano work, Catalogue d’oiseaux (1958), one might expect Aviary – A Suite for the Bird to be a work that gently soothes and … Continue reading

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THE AUDIENCE IS THE LIGHT…

Byron Perry talks about DOUBLE THINK by Urszula Dawkins   The way director/choreographer Byron Perry describes his new work DOUBLE THINK seems reminiscent of some of the absurd uncertainties of I Like This, his earlier work with Antony Hamilton for … Continue reading

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